Its images of technological symmetry, military parades and athletic accomplishment may be chilly, but they also evoke Olympian ideals of mastery and ascendance. ![]() What makes the film all the more disturbing is that much of it is also beautiful. Its relentless depiction of competition, regimentation and universal bellicosity inevitably reflects an international political climate charged with mounting fears of war and terrorism. ![]() Although none of the three could be described as cheery, ''Naqoyqatsi,'' whose title is the Hopi Indian term for war as a way of life, reeks of doomsday.Īs its barrage of imagery comparing humans to machines marches across the screen, the film feels ominously prophetic. The final part of the team's celebrated Qatsi Trilogy, which includes ''Koyaanisqatsi'' (''Life Out of Balance'') and ''Powaqqatsi'' (''Life in Transformation''), it is by far the grimmest of these nonnarrative, nonverbal cinematic tone poems with epic ambitions. ![]() ''Naqoyqatsi,'' the third collaboration of the director Godfrey Reggio and the composer Philip Glass, is a solemn, highbrow mood movie with a difference.
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